JardyOfSuburbia Posted February 7, 2020 Posted February 7, 2020 So, has anyone received the digital download from their preorder? 1 Quote
DookieLukie Posted February 7, 2020 Posted February 7, 2020 2 minutes ago, JardyOfSuburbia said: So, has anyone received the digital download from their preorder? I was wondering the same thing. 1 Quote
JardyOfSuburbia Posted February 7, 2020 Posted February 7, 2020 Just now, DookieLukie said: I was wondering the same thing. The preorder has been a mess for me (and it seems quite a few others). My order is still labeled as "processing." UGH. Quote
UNICORN VOMIT Posted February 7, 2020 Posted February 7, 2020 1 hour ago, That Dude said: Billie is using more Spanish on this one. Cholos. Mano-y-Mano Bandito Yeyo And then Graffitia. Which is not a word. I had to look up the meanings. Quote
21st_century_gloria Posted February 7, 2020 Posted February 7, 2020 1 hour ago, DookieLukie said: I'm a fan who got into them with AI, but I feel like so many fans can't let that sound go. If you just go into this album with an open mind and don't expect to hear something that you've imagined in your head, you will find the music to be good. FIRE READY AIM SLAPS Quote
Red Posted February 7, 2020 Posted February 7, 2020 1 hour ago, That Dude said: Everybody is hearing different things in that song. Bruno Mars, The Clash, Tom Petty. I personally hear Springsteen. It feels very much like a 21st Century Breakdown song to me, or at least like it was inspired by the same things. I dare anyone to look me in the eyes and tell me that this doesn't have that Bruno Mars song's melody in it 😆 Quote
Denice Posted February 7, 2020 Posted February 7, 2020 Gonna listen to the album in my car on my 25 minute drive to work and then dit at the parking lot for the last minute of Graffitia. Excited for this! 1 Quote
UNICORN VOMIT Posted February 7, 2020 Posted February 7, 2020 Just now, Denice said: Gonna listen to the album in my car on my 25 minute drive to work and then dit at the parking lot for the last minute of Graffitia. Excited for this! I got to my estate today & had to do a lap until Graffitia finished. Quote
Popular Post DookieLukie Posted February 7, 2020 Popular Post Posted February 7, 2020 This album is so good. I feel like a Teenage Teenager listening to it. So many feels. 5 Quote
TJChrobo Posted February 7, 2020 Posted February 7, 2020 Preordered album isn’t getting here until Tuesday 😭 Quote
Guest Posted February 7, 2020 Posted February 7, 2020 6 minutes ago, JardyOfSuburbia said: So, has anyone received the digital download from their preorder? It's showing up now in the "My Downloads" section in the official shop, but it's not clickable yet. Quote
JardyOfSuburbia Posted February 7, 2020 Posted February 7, 2020 2 minutes ago, RustyShackleford said: It's showing up now in the "My Downloads" section in the official shop, but it's not clickable yet. Quote
21st_century_gloria Posted February 7, 2020 Posted February 7, 2020 1 hour ago, pacejunkie punk said: That was the problem with MOOTIK. Everyone was all “this is what the next GD album should sound like” and GD were all, “No” The only problem with Magnum Opus is that it wasn't Green Day ...all right, I'm just joking lmao I enjoyed the Magnum Opus hoax and I enjoyed FOAM. Contrary to what most think, it is actually possible for AI/21CB stans to like and appreciate both the hoax and the real deal, who knew? Tbh Magnum Opus sounds less and less like Green Day the more I listen to it. Well...except Rome Falls. I would still love to hear BJA cover that tune... Quote
paperlanterns22 Posted February 7, 2020 Posted February 7, 2020 This is the start of a new era boys and girls! A lot of stuff going on, on release day. I’m amped! 2 Quote
Squashie Posted February 7, 2020 Posted February 7, 2020 My god this is so fun! Listening now via the 105.7 show that Billie is currently on talking through the album. 1 Quote
Rumpelstiltskin2000 Posted February 7, 2020 Posted February 7, 2020 Variety review: Green Day’s ‘Father of All…’: Album Review The group's 13th album eschews politics and big concepts in favor of more timeless material, but there are empty calories amid the earworms. If you were to compare Green Day to a cockroach, founding members Billie Joe Armstrong, Tre Cool, and Mike Dirnt might not object. Who knows— they might even express an affinity for a species of insect that’s earned a reputation for being indestructible, knowing what it takes to endure as a punk band that’s forging ahead into its fourth decade. In that time, they’ve been recognized as pioneers of the East Bay punk scene and decried as sellouts. They’ve adapted one of their albums into a successful Broadway musical and weathered the fallout of Armstrong’s antics at the iHeartRadio Music Festival in Las Vegas in 2012, which eventually led the singer and guitarist to attend rehab for substance abuse. Through it all, of course, they’ve continued to release new records as well. In the wake of 2000’s pleasant yet unremarkable “Warning,” Green Day reinvented itself as a rock-opera act with 2004’s “American Idiot” and its successor, 2009’s “21st Century Breakdowns.” Next came a trio of albums that were heavy on filler and light on direction in the form of 2012’s “¡Uno!,” “¡Dos!” and “¡Tré!.” Most recently, Green Day returned in 2016 with “Revolution Radio,” an effort that found the band wearing its Clash fandom on its collective sleeves and returning to a more traditional album approach. This recent release history made it difficult to determine precisely what anyone should have been expecting from Green Day’s 13th studio record, “Father of All Motherf—ers” — or, as it’s mostly being abbreviated, “Father of All…” Given the precedent set by “American Idiot,” you had to wonder if Donald Trump would earn a central role in the band’s latest offering, but far from doubling down on politics, “Father of All…” instead prefers to take a more timeless approach. Aiding the band’s efforts is producer Butch Walker, a newcomer to the world of Green Day who has previously worked with the likes of Taylor Swift and Panic! at the Disco. If Walker’s job was to shake things up, his efforts are most keenly felt on the record’s opening title track, which finds Armstrong singing predominantly in an affected falsetto.< Build on the bombast of snotty guitars and Hot Topic poetry — sample lyrics: “We are rivals in the riot inside us” — “Father of All…” is an inauspicious opening shot that manages to be enjoyable yet disposable. It’s a trend that continues throughout “Father of All...,” which never fails to deliver ear worms but often stuffs them with empty calories. Although you can easily imagine the stadium foot-stomps and spirited call-and-response that will assuredly greet live performances of “Oh Yeah” on this summer’s stadium tour, as a studio track, it finds Green Day unwilling to venture too far from infinitely familiar territory. “Fire, Ready, Aim” feels at most like a distant cousin to “Revolution Radio’s” “Bang Bang,” while the honky-tonk overtones of “Stab You in the Heart” fail to separate the song from legions of similar fare. “Father of All...” isn’t without its surprises, however. “Meet Me on the Roof” sees the band indulge in a few minutes of pure prom doo-wop, which has always secretly been a uncharacteristically sweet spot for an act that once named an album after a slang term for fecal matter. “I Was a Teenage Teenager,” likewise, is on the verge of cloying but persists on the strength of strong harmonies. The latter also instantly brings to mind a few of Green Day’s earliest efforts at sincerity from bygone nights at Berkeley’s Gilman. The album’s best cut may be “Take the Money and Crawl,” which finds Armstrong sneering his way through a dissertation on not giving a s—. It recalls the attitude that Green Day infused into many of its most seminal tracks, in which wastelands can be paradise. With “Take the Money and Crawl,” the band proves still capable of translating its trademark brand of suburban scorn into music that resonates. The challenge with being a band built in youth that continues to succeed well into middle age — especially one that’s made its claim under the auspices of punk — is the choice of whether to adapt. Over the years, Green Day has done it a number of times, even when the payoff could never equal the effort. There are bands that stay together for the money, and then there’s this one, which still often books last-minute shows at Bay Area dive bars just to have something to do. “Father of All…,” however, the effort feels more like a sidestep than a leap forward. As the successor to equally milquetoast “Revolution Radio,” it leaves you wondering if Green Day has at last tired of pulling tricks from its heart-adorned sleeves. Rather than creating music with purpose, the band now seems content to manifest material purely from a desire to continue on. That’s not a place that often leads to essential offerings, but perhaps that achievement is a past-tense proposition for a punk trio (or, now, quartet) that has bridged the gap from Reagan to Trump. “Are we the last forgotten?” Armstrong asks on the closer, “Graffitia.” It’s a bit of a trick question, because while Green Day is certainly approaching “last of their kind” territory, it’s clear the band has no intention of fading away. Maybe the ambition to endure will drive them back toward other goals, too, as needing to just say something will never mean as much as having something to say. Quote
Mozzabillie Posted February 7, 2020 Posted February 7, 2020 I just downloaded it. I can’t WAIT to listen to it!!!! Quote
Slave To The Network Posted February 7, 2020 Posted February 7, 2020 Well, I've just listened to the whole thing, hosted by Billie, and I fucking love it. Great record! GD rarely lets me down. 3 Quote
21st_century_gloria Posted February 7, 2020 Posted February 7, 2020 5 minutes ago, Rumpelstiltskin2000 said: As the successor to equally milquetoast “Revolution Radio,” it leaves you wondering if Green Day has at last tired of pulling tricks from its heart-adorned sleeves. I'm so salty that I feel like a Lays chip. Or the Dead Sea. Gosh! I can feel the steam coming out of my ears. "Nobody seems to agree on anything these days.This city is misting over the skyscrapers. The cement feels so damp yet pretty at once. Is life imitating me or is rage imitating life? I feel like a civil war, like a knife in the heart. I got an axe to grind and it's splitting my head open...." St jimmy's comin down across the alleyway! 2 Quote
GDFan2019 Posted February 7, 2020 Posted February 7, 2020 I’m actually hearing female backing vocals on some of these tracks!!!! Quote
Lenny Posted February 7, 2020 Posted February 7, 2020 25 minutes ago, RisingRedWolf said: I dare anyone to look me in the eyes and tell me that this doesn't have that Bruno Mars song's melody in it 😆 What’s a Bruno Mars? 2 Quote
DookieLukie Posted February 7, 2020 Posted February 7, 2020 Just want my pre-order digital download Quote
steve46 Posted February 7, 2020 Posted February 7, 2020 5 hours ago, Marina86 said: Am I the only one who thinks Stab you in the heart sounds like achy breaky heart by Billy Ray Cyrus? Ni defenitely not. That was my first thought too. Quote
The Grohl Posted February 7, 2020 Posted February 7, 2020 Me listening to FOAM for the first time: 4 Quote
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