Leaderboard

Eve Michele ♡☀ ‏@iamcheerbear 6h you have not lived until you've seen @bjaofficial dance disco-style and shake dat ass.

Are We the Waiting not being on the set list is quite possibly the worst set list decision they make consistently. The song is tailor-made for live shows. With its call and response + arena ballad sound. And the first two verses of lyrics are so incredible.

Boulevard of Broken Dreams performed during the battle stages of The Voice of Ireland

I know it was sarcastic, but that doesn't mean I have to go with his sarcasm if I can disjoint his joke instead.

Orgasm face

90% of Green Day songs: whoah that riff sounds amazing! *Reads tab* Oh.

When it comes to music you don't need an objective measure of talent. There are too many variables, and you certainly can't consider success any kind of indicator of talent. You have to use your fucking ears. To go back to the Minaj example, is her success down to talent or successful marketing? To use another example: Take One Direction. Five guys who are half decent singers, one of whom can play guitar a bit and another piano, a group who won a talent show, put out an album with 22 writers and 14 producers and it sold 1,900,000 in the US. Queens Of The Stone Age put an album out with 4 writers, all of whom actually played on the album, and 3 producers, one being Josh Homme. It sold 986,000 in the US. Want to bet which album is more complex and took more skill to write and perform? There you go. A comparative measure of talent.

Matika's supporting rhythm guitar role. He's a legend.

Mike Dirnt.

Walk Away is really great

HOLY FUCK I NEED A VIDEO OF THIS ASS SHAKING.

This is so wrong (in my mind)!! Next time they play in Brazil I'll make sure to take a tape with me. It'll be the end of the mystery! hahaha

The fluffy hair makes his head get bigger than the normal and the body gets very smaller

I love the pounding drums at the start of Are We the Waiting. I wish it had had another verse, but can't complain too much!

It used to be my favorite from A.I., but I've grown tired of it lately.

I love Kill the DJ.

It's damn close between JOS and Homecoming. I couldn't possibly choose between them. The thing is, Homecoming feels long, sprawling and diverse, whereas JOS is just so well arranged it takes what should get boring after three minutes and stretches it out into a 9 minute epic that doesn't feel too long at all. I'd argue that Homecoming has the more epic feel, whereas JOS kind of feels a lot more natural. Homecoming seems to be a lot darker, like the evil twin of JOS, so to speak. The backing vocals in JOS are among the best I've ever heard, but Homecoming has leads from Mike and Tre. So it's neck and neck for me.

I think Homecoming gets the nod from me, but it's close. Both are fantastic songs.

Fashion Victim's rhythm section is perfect

I punish myself by openly sharing my shitty opinions with the hope that someone will ridicule me like my father used to before he left us.

no Maybe cause Billie was drunk? Happy now? Apologies for seeming like such a little pissy shit head xD

Time to cut it out now guys. Anyone who continues will be suspended.

Amanda is always fun to listen to. I love Billie's voice on "I couldn't be your maaAaAAAn" and the subsequent riffage

some little instavids of dirty Bj: does he really say : "Do you wanna touch it?" http://instagram.com/p/lFrhLyOnjf/ and "Dirty Dirty Dirty Dirty......" http://instagram.com/p/lFq60Eunij/

Hard laugh at the bodygard behind

Governator is shite

Yes indeed

Blood, Sex & Booze should be an essential addition to the setlist, as should 2,000 Light Years Away and Going to Pasalacqua. In my opinion, those 3 songs would be worth the price of the ticket alone.

I think one of them wanted to name it Smooth and one wanted to name it 39. I don't know that we actually got an explanation of the "Smooth" part, just that the full thing came from compromise.

Probably unpopular, but not unreasonable. There's a lot more to She's A Rebel. Similarly: The American Idiot riff is cheesy and annoying.

Without employing relativity, the concept of talent wouldn't exist in the form it is now, or the "talented" party would be the only one able to perform whatever skill they had, and therefore be the ultimate judge of that. The final judge on whether someone is "skilled" or not generally comes down to where you have them placed in the relative hierarchy. Knowing what the skill is supposed to look/sound like is, like Praxus said, the initial indication that someone should be in this hierarchy whatsoever. Therefore, that placement is a Y/N to talent, then it's subjective. Maybe I'm rambling, but there's a point somewhere in there...

Looks like a Motley Crue shirt.

Yeah, it kinda has 99 Revs syndrome in the last section

Here is a voice contestant from December singing Good Riddance

Hmm. Not really. As punk goes he's good, but in the grand scheme of things he's nothing extraordinary.

The Good Riddance cover isn't that bad guys

gjdhfkjghdjfg

Can the whole world just get together and agree to give rid of these piece of shit "talent" shows. They constantly roll out more and more shit, and it just gets the majority of people to think that it is good music, when in fact it is complete and utter rubbish. Both those girls were horrible, and yet I bet there are thousands who will say they are good now, but years ago before these shit shows came on tv they would of said they are horrible.

Excuse me but......................... ..

Garrett G. ‏@GertGriff Jan 19 Lmao my boss just met Billy Joe from Green Day, ended up buying one of his cars and we have backstage passes to whatever show we want.