dharmafox Posted October 1, 2016 Posted October 1, 2016 Does anyone know the effect that was used in the beginning of 21 Guns right before the acoustics?
Hell Cat Troll Posted October 1, 2016 Posted October 1, 2016 There isn't an effect they are just turning the volume on the guitar up and down while moving their fingers to the right spots. No strumming
fireballmx Posted October 1, 2016 Posted October 1, 2016 I never tab stuff out for people...but its pretty simple: x 5 x x 6 x .... x 1 x x 3 x x 8 x x 10 x x 3 x x 5 x x means don't play/mute the string Just play around with it on the amp
Jimmy Strummer Posted October 1, 2016 Posted October 1, 2016 I can tell you it's not so easily done on guitar, so the explanation that Hell Cat Troll gave is most likely not that. In reality, it's one of two things: 1. it's a simple audio editing trick where Billie played the notes on the guitar and then Chris Dugan, Butch Vig, or Chris Lord-Alge went to the sound file, made a duplicate of each note, reversed each of those duplicates, and then placed them right next to each corresponding original note so it has that fade-in-fade-out effect to it. 2. Billie used a volume pedal, played each note at zero, brought up the pedal to increase the volume, and then brought it back down just as quickly to, again, give it that fade-in-fade-out sound.
Travis. Posted October 1, 2016 Posted October 1, 2016 It's not that hard to do, here's a cover that shows it done
Joe. Posted October 1, 2016 Posted October 1, 2016 3 hours ago, Jimmy Strummer said: I can tell you it's not so easily done on guitar, so the explanation that Hell Cat Troll gave is most likely not that. In reality, it's one of two things: 1. it's a simple audio editing trick where Billie played the notes on the guitar and then Chris Dugan, Butch Vig, or Chris Lord-Alge went to the sound file, made a duplicate of each note, reversed each of those duplicates, and then placed them right next to each corresponding original note so it has that fade-in-fade-out effect to it. 2. Billie used a volume pedal, played each note at zero, brought up the pedal to increase the volume, and then brought it back down just as quickly to, again, give it that fade-in-fade-out sound. You can do that with a volume knob
Spike Posted October 1, 2016 Posted October 1, 2016 1 hour ago, JoeFrusciante said: You can do that with a volume knob You can, but it's highly unlikely they did in the studio. It's definitely reversed on the record, you can tell by how quickly the notes cut out once they're full volume.
W_FInkThePlatypusHunter Posted October 2, 2016 Posted October 2, 2016 16 hours ago, Spike said: You can, but it's highly unlikely they did in the studio. It's definitely reversed on the record, you can tell by how quickly the notes cut out once they're full volume. It wouldn't be the first use of reversing audio on that record, I'd believe it.
Spike Posted October 2, 2016 Posted October 2, 2016 32 minutes ago, W_FInkThePlatypusHunter said: It wouldn't be the first use of reversing audio on that record, I'd believe it. They wouldn't even be the millionth, even I did it before them
Jimmy Strummer Posted October 2, 2016 Posted October 2, 2016 20 hours ago, Spike said: You can, but it's highly unlikely they did in the studio. It's definitely reversed on the record, you can tell by how quickly the notes cut out once they're full volume. Exactly. I didn't say you couldn't achieve that effect by turning the volume knob up and down, but I did say that it's more difficult and doesn't achieve the effect as well as using a volume pedal or editing the audio. That guy in the guitar cover achieved it with the volume knob probably because he worked extremely hard to get the technique down just right. Who knows, maybe Billie did try that method in the studio but he just wasn't getting the sound out of it that he wanted, so they either used a pedal or fixed it in editing.
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