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Words I Might Have Ate


pasalaska

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This week’s Song of the Week is the whimsical Words I Might Have Ate off Green Day’s second album, 1992’s Kerplunk, because (as noted by bjrules in the nomination thread) we haven’t had a Kerplunk song in a while. Words I Might Have ate is track 12 on Kerplunk, and is technically the album’s closing song, however CD versions of the album also include the four songs from the Sweet Children EP at the end of the album.

Despite its cheery, upbeat sound, Words I Might Have Ate’s lyrics are ones of a lost love, regret, and not truly appreciating a good thing until it’s gone (there’s that good ol’ Green Day juxtaposition again). The song’s narrator is dwelling on old memories of “better days”, and asking himself “why?” – what is it that he did, or more specifically said, that caused him to lose his girl. As with most of Green Day’s earlier songs, there’s not a whole lot of reading into the lyrics possible; Words I Might Have Ate’s a simple story about the one that got away, and the resulting self-blame.

Musically, this is probably my favourite song on the album, just because it’s so unique, and because it contrasts with the lyrics so well. I especially love how the song – especially Billie’s voice - starts off so softly, stays on a steady level, and then suddenly but subtly gets more intense in the bridge, before returning to its previously level before trailing off towards the end of the song. It’s like a story, with the intro, the rising action, the climax, and then the resolution. I’m sure there’s a more technical way to describe that, but it’s just a brilliant bit of song writing, and it really makes the song great. The trailing off 'why?'s also close of the album brilliantly - sometimes I purposely stop listening to Kerplunk after this song, just because it almost does an injustice to the song to follow it up with the Sweet Children EP (no offence to the EP but I'm sure you know what I mean).

This week’s video is actually one of my own that I recorded at the epic Prague gig on the 29th of June, 2010. It’s not the whole song, but I love how Billie segued it in from Redundant, and I love how it sounds with just him and his acoustic guitar. It was an amazing and surprising end to an amazing concert (and I love the ferris wheel in the background too).

Words I Might Have ate starts at 2:31

Lyrics:

Now it seems I can't keep my mind of you

My brain drifts back to better days we've been through

Like sitting on blacktop of the school grounds

The love I bitched about I finally found

But now it's gone and I take the blame

So there's nothing I can do but take the pain

Why?

Now I dwell on what you remind me of

A sweet young girl who sacrificed her love

As for me, I am blind without a cause

And now I realised what I have lost

It was something real that I could have had

Now I play the fool whose stable soul's gone bad

Why?

Tell me the words I might have said

That's pumping pressure deep inside my head

Was it bad enough to be too late?

Just tell me the words I might have ate...

The words I might have ate…

The words I might have ate…

But now it's gone and I take the blame

So there's nothing I can do but take the pain

Why?

Why?

Why?

Why?

Oh, why?

Why?

Why?

*********************************************************************************************************

You can nominate songs for discussion as Song of the Week in the SotW Nominations and Archive thread, which contains links to each previous Song of the Week in its first post.

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I love this song. You can relate to it a lot too. Not just in love, but in friendship and stuff. Musically, I feel nostalgia coming from it, as well as a strong desire to go surfing for some reason.

We had it acoustically done at the 2009 gig in Montreal, and that was splendid. :wub:

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Ahh I love the 60s sounding loveliness that is this song! It's just fantastic to hear that really interesting acoustic-y old fashioned sound on that album, so cool that they were happy to experiment and show a wider range of musical influences even as far back as then. Love Billie's voice on it and love those harmonies!

And I agree Aska, I like the classic Green Day contrast between the happy music and the sad, bittersweet lyrics. Probably even more noticeable in this song because it's not just upbeat catchy music but really nice and sweet music and vocals. Total contrast with the lyrics. I love how it trails off with the repeated wistful "why?" too.

One thing - in this song is he pronouncing ate as "ett" or "8"? Being English I say "ett", although for some freaky unknown reason when I think of the title of this song I always think of it as "8". Because of Billie's strange voice (rhyming "head" with "late" but it sounds more like "lett", and then rhyming that with "ate") it is impossible to tell which way he's saying it as far as I can tell :lol:

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it's a cute song :happy: I like the melody. But I prefer the acoustic version from the radio rather than the original.

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One thing - in this song is he pronouncing ate as "ett" or "8"? Being English I say "ett", although for some freaky unknown reason when I think of the title of this song I always think of it as "8". Because of Billie's strange voice (rhyming "head" with "late" but it sounds more like "lett", and then rhyming that with "ate") it is impossible to tell which way he's saying it as far as I can tell :lol:

He kinda says 'ay-yat', so a mix between '8' and 'ett'.

What was that thing about being an American impersonating and Englishman impersonating an American? :lol:

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He kinda says 'ay-yat', so a mix between '8' and 'ett'.

What was that thing about being an American impersonating and Englishman impersonating an American? :lol:

:lol: That's exactly what it is! Straight down the middle of the Atlantic on that one.

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What a jewel this track is. The melody is almost eerily cheery, in a sort of nursery rhyme way. This is the sort of song I'll play for the kids I'll never have as a lullaby. Yet despite the happiness of it all, it's clearly reminiscent. That's the primary emotion I experience when I hear the song--undiluted nostalgia. It's a story of lost opportunities and youthful yearnings. The narrator feels regret, but realizes that the time has passed and not much can be done.

I was delighted when the boys whipped this one out for the tour last year. It's encouraging to know that they still think about--and enjoy playing--these precious oldies. My favorite live version has to be the one that's included on the enhanced version of 39/Smooth. It's splendid to hear Billie and Mike's voices intertwining with that masterful harmony, knowing that it was the just the beginning of a lifelong partnership.

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Sadly I think there are a lot of Americans that say "a-ett." Two syllables instead of one! :P We're pretty horrible when speaking English properly!

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Sadly I think there are a lot of Americans that say "a-ett." Two syllables instead of one! :P We're pretty horrible when speaking English properly!

Probably not quite the same as Billie in this song though. I think that's unique :D

Just gonna post my favourite video of this. All three of them singing. Ahem :whistle:wub:

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It's hard describing the song, haha. I think the OP and other posts do a wonderful job of it. It's so ... I really can't find the right words to describe it :lol: It doesn't sound like any other Green Day song at all.

I like it. Let's just stick to that, can't go wrong.

One thing - in this song is he pronouncing ate as "ett" or "8"? Being English I say "ett", although for some freaky unknown reason when I think of the title of this song I always think of it as "8". Because of Billie's strange voice (rhyming "head" with "late" but it sounds more like "lett", and then rhyming that with "ate") it is impossible to tell which way he's saying it as far as I can tell :lol:

He pronounces ate really odd indeed, but doesn't he rhyme "said" with "head" and "ate" with "late" . Like, AABB*, not AAAA or ABBB or whatever. I don't think head and late are supposed to rhyme, although he does come close to making it rhyme anyway.

*AABBBB, to be precise :P

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It's hard describing the song, haha. I think the OP and other posts do a wonderful job of it. It's so ... I really can't find the right words to describe it :lol: It doesn't sound like any other Green Day song at all.

I like it. Let's just stick to that, can't go wrong.

He pronounces ate really odd indeed, but doesn't he rhyme "said" with "head" and "ate" with "late" . Like, AABB*, not AAAA or ABBB or whatever. I don't think head and late are supposed to rhyme, although he does come close to making it rhyme anyway.

*AABBBB, to be precise :P

Yeah you're right :P. But it all kind of sounds like it rhymes anyway, because it's all in some weird place between an "ay" and and "ehh" sound.

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My fav from Kerplunk. I remember that I had a really bad issue with one of my best friends asking her why this song depressed her so much.

When she replay me, I felt like the biggest asshole. And that thing is a bit odd, cause we were replaying the main idea of this song in that situation. Awyway, I love this song. Is a real pleasure play it in the guitar.

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This song is all about the harmonies for me. They are beautiful.

Amazing lyric - "Now I play the fool whose stable soul's gone bad". Every time I hear it, I'm like "whoa, you were writing that as a teenager!"

I prefer the Prague version to the album version, but am I imagining it, or is this the song that they sang almost acapella after Billie broke a guitar string in some radio interview way back when? Someone posted about it recently and I remember being more than impressed.

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This is one of my favorites from Kerplunk. I love the acoustic sound which hadn't really been used by Green Day on the albums. It has a great tune and some great harmonies as well. The intro sounds so cool!

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First thing I always think of with this song is how much I love the title, just how the words sit. It's like they're a scrap of paper torn out of something much bigger, and the energy of that is all around them. In my mind, this is twinned with 'One of My Lies', partly because it's another fucking great title, so full of power and a kind of mystery - like, one of my lies ?? - and also because of the lingering 'why?'.

Words I Might Have Ate has the feeling of writing something down and singing it out just to spill it and get it out your head, in the hopes that doing that will make it let go of you. The counterpoint of the music angles it, seeking a cool perspective in this stinging emotional place that's all 'what the fuck did I do wrong, what did I say, how did I screw it up?'. All the emotional 'whys' come to some kind of rest in Good Riddance's 'don't ask why', but fuckit, in that song the ache is so deep, so endless.

I love the video in the OP - the segue of the two songs is beautiful and meaningful. 'Redundant', with 'I cannot speak, I'm lost for words, speechless and redundant' - 'Words I Might Have Ate' with 'tell me what are the words I might have said / the words I might have ate'. Both of these songs have the sense of not knowing what the other person wants from you, of being somehow remote - like, of somehow getting it 'right' or 'wrong' based on the words you say, how you succeed or fail in expressing what's in your heart, this painful sense of inarticulacy.

I love the sound of the Kerplunk songs - you can feel the sunshine and the sense of space, like a clear blue sky where the clouds that float by are easy to see. I feel like it's always summer in Kerplunk, that it's simple and uncomplicated and whatever the woes of the day, the next horizon is coming fast - yet, songs like Words I Might Have Ate resonate all the way to songs like Whatsername, the regrets still haunting, the whys never completely stilled.

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I love this song every time I hear it. The radio interview version added to the 1039/Smoothed Out Slappy Hours CD is my favorite. BJA and Mike Dirnt harmonize together so perfectly. I think they were trying to track down a guitar - pronounced geeh-tar ;0 - but I'm almost positive they got one before they started singing it, but it's still all about the vocals for me. So perfect.

Great song of the week!

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this is an amazing song! i love the acoustic because it doesn't make it sound like a boring slow song.

plus i just love the way billie says "why"!!

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I like the beginning

the guitar and then the first line softly flows in "now it seems, I can't keep my mind off of you.."

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Yay!!! I feel so happy that this song got picked after I nominated it! :dance: This song is actually one that I honestly didn't like for ages, I would always skip it when it came up on my ipod. But then I finally listened to the whole song one day and I fell in love with it. The harmonies on this song are just brilliant, and the lyrics are excellent especially considering that Billie was only about 18 or 19 when he wrote them. "Now I play the fool who's stable soul's gone mad" is just pure brilliance. I love it how even at this early stage of their careers they weren't afraid to put an acoustic song on their album, even though it isn't "punk". I honestly can't understand why I didn't like this song, its so underrated, and I would die if I got to hear it live one day :happy:

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Words i might have ate is my favorite song of kerplunk :) it's that kind of song i listen to on a sunny morning or when i'm happy about something. it's always the song that brings me trough the day :D

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I'm pretty happy about Words I Might Have Ate being the song of the week.. :)

It has always been that kind of song I can always listen to. Whether I'm happy or sad. It always kinda cheers me up (even more).

And I love Billie Joe's acoustic version (the video). He changes the song a little if it comes to the way he's singing and everything. But that's amazing.. :)

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This is definitely one of the best songs from Kerplunk. It is so touching and sweet, there is an honest tone of regret to every word.

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